Estructura de Nâs
Ochenta losas-letra alrededor de un único punto de refugio

Estructura de Nâs
Dispongo ochenta losas de piedra en un anillo, una por cada letra escrita en el cómputo del proyecto de la sura al-Nâs. Todas miran hacia una piedra Kul central. La obra convierte una lectura del refugio, el susurro y el punto de vista en un estudio espacial; no afirma que la escritura prescriba esta forma.
The ring has no single door: every interval is an entrance. Fifty-five slabs use light stone and twenty-five use dark stone to mark the five appearances of the project’s recurring ‘people’ word-group. This colour assignment is the designer’s interpretation.
Convención de conteo
La fuente del autor registra seis aleyas con 14, 8, 8, 17, 20 y 13 letras: 80 letras escritas en total. Es un dato fijo ligado a la ortografía y la tabla de cómputo del proyecto, no un recuento universal para todo mushaf o recitación. Por ello no se afirma aquí un total de palabras no verificado.
Each written letter becomes one 1.00 m module along the inner ring. The 80 modules form an inner circumference of 80 m (Ø 25.46 m). Each 20 m-deep slab is 0.25 m thick; adjacent inner tips leave 0.75 m gaps, producing an outer diameter of 65.46 m. Slab height follows the number of letters in its word, from 2 to 7 m.
| Aleya | Cartas |
|---|---|
| 1 | 14 |
| 2 | 8 |
| 3 | 8 |
| 4 | 17 |
| 5 | 20 |
| 6 | 13 |
| Cartas | 80 |
Reglas de generación formal
Place the 80 letter modules from right to left around the circle; extend each slab radially by 20 m; set its height from its word length; turn every slab toward the centre; mark the selected recurring word-group in dark stone; place the Ø 1.00 m Kul stone at the only point where all slabs visually collapse into lines.
Secuencia espacial
Visitors enter through any gap and move among blind-backed slabs. In the central court the ring reads as an enclosing wall. Approaching the Kul stone aligns the slabs until each becomes a thin line and every direction opens. Moving about 0.84 m from that centre makes the apparent gaps close again. The geometry stays fixed; only the observer’s position changes.
Material, inscripciones y luz.
Warm grazing light makes the light and dark stones legible in the atmosphere studies. The lighting, wet paving and landscape are presentation choices, not measured construction specifications. The central alignment is the architectural subject.
Explorar en 3D
The authored 80-slab OBJ model converted to GLB for the web. Orbit, zoom and inspect the ring; metric authority remains with the source OBJ and drawings.
Dibujos arquitectónicos
The five authored sheets document the plan, south elevation, central A–A section, the ring unrolled as a silhouette and the inner-tip/Kul-stone detail. Open the original PDF for the complete annotations.
Planos originales del autor. Las anotaciones dentro de ellos conservan su idioma original; los pies y tablas dimensionales están traducidos.
Dibujos arquitectónicos · PDF ↗Vistas y detalles del modelo
10 AI-assisted atmosphere studies · authored geometry and spatial idea
AI-assisted atmosphere studies based on the authored design. Dimensions and geometry are documented only by the model and drawings; these images are not photographs of a built work.
Cine y movimiento
The 2:56 vertical authored film presents the whispering sequence, the six-verse and eighty-letter design method, movement through the ring, the central stone and the 84 cm viewpoint test. Turkish audio and embedded Turkish/English captions are preserved. The separate silent experiment isolates the viewpoint effect.
Las películas se cargan cuando presionas reproducir.
Complete authored film · Turkish audio with embedded bilingual captions
Kul stone · 84 cm viewpoint experiment
Estado actual y diferencias de fuente
Estudio conceptual de arquitectura y cine con modelo OBJ, cinco láminas acotadas, imágenes atmosféricas y película vertical terminada. No es una obra construida, un proyecto estructural ni un paquete de ejecución.
The film relates refuge, prayer and anxiety as the author’s spiritual interpretation. Anxiety disorders are medical conditions; prayer may accompany professional care but does not replace diagnosis or treatment. Scriptural and traditional references should be reviewed independently before reuse outside this project record.
Source: the author’s Nâs OBJ/MTL model, five-sheet drawing PDF, visual explanation and screenplay PDFs, ten selected atmosphere studies, completed bilingual-caption film and Kul-stone experiment. AI atmosphere images are labelled as such; the model and drawings remain the metric record. Web copies are optimized while source files remain unchanged.